Still, I like to think my detestation of Rand’s novels follows from more than a mere disagreement over differing visions of the universe. What’s a universe here or there, after all? I prefer to think it’s a matter of good taste. For what really puts both Atlas Shrugged and The Fountainhead in a class of their own is how sublimely awful they are. I know one shouldn’t expect much from a writer who thought Mickey Spillane a greater artist than Shakespeare. Even so, the cardboard characters, the ludicrous dialogue, the bloated perorations, the predictable plotting, the lunatic repetitiousness and banality, the shockingly syrupy romance—it all goes to create a uniquely nauseating effect: at once mephitic and cloying, at once sulfur and cotton candy.